One image that can be traced throughout the entire novel, is the actual portrait of Dorian Gray. As the novel progresses, these images transform from one stage to another. This successful usage of imagery makes this novel truly terrifying, but at the same time, quite enjoyable. The portrait is given to Dorian to keep for himself to remember how lovely he looked in his youthful days.
Download this article Oscar Wilde prefaces his novel, The Picture of Dorian Gray, with a reflection on art, the artist, and the utility of both. After careful scrutiny, he concludes: In this one sentence, Wilde encapsulates the complete principles of the Aesthetic Movement popular in Victorian England.
That is to say, real art takes no part in molding the social or moral identities of society, nor should it.
Art should be beautiful and pleasure its observer, but to imply further-reaching influence would be a mistake. Rather, the proponents of this philosophy extended it to life itself. To the aesthete, the ideal life mimics art; it is beautiful, but quite useless beyond its beauty, concerned only with the individual living it.
Influences on others, if existent, are trivial at best. Many have read The Picture of Dorian Gray as a novelized sponsor for just this sort of aesthetic lifestyle. In the novel, Lord Henry Wotton trumpets the aesthetic philosophy with an elegance and bravado that persuade Dorian to trust in the principles he espouses; the reader is often similarly captivated.
It would be a mistake, however, to interpret the novel as a patent recommendation of aestheticism. Dorian Gray personifies the aesthetic lifestyle in action, pursuing personal gratification with abandon. Yet, while he enjoys these indulgences, his behavior ultimately kills him and others, and he dies unhappier than ever.
Rather than an advocate for pure aestheticism, then, Dorian Gray is a cautionary tale in which Wilde illustrates the dangers of the aesthetic philosophy when not practiced with prudence.
Aestheticism, argues Wilde, too often aligns itself with immorality, resulting in a precarious philosophy that must be practiced deliberately. Dorian Gray is often read as an explicit proclamation of the worthiness of living life in accordance with aesthetic values.
Oscar Wilde, however, proposed that the principles of the Aesthetic Movement extend beyond the production of mere commodities. Speaking of aestheticism, Wilde is quoted: I mean a man who works with his hands; and not with his hands merely, but with his head and his heart.
The evil that machinery is doing is not merely in the consequence of its work but in the fact that it makes men themselves machines also. Whereas, we wish them to be artists, that is to say men.
Every impulse that we strive to strangle broods in the mind, and poisons us. Lord Henry warns that without an enthusiastic embrace of aestheticism, one will perpetually anguish with the desire of precisely what he must deny himself, all for the sake of propriety.
This, however, is too shallow of an interpretation. Opponents of a purely aesthetic lifestyle will certainly cite what they consider an inevitability: It is at these times that the virtues of the wholly aesthetic life become questionable.
The ruination of Dorian Gray, the embodiment of unbridled aestheticism, illustrates the immorality of such a lifestyle and gravely demonstrates its consequences. Wilde himself admits, in a letter to the St. And the moral is this: Aestheticism does well to condemn the renunciation of desires, but it is an excessive obedience to these desires that is subversively dangerous.
The character of Dorian Gray and the story of his profound degeneration provide a case study examining the viability of purely aesthetic lives.
Dorian lives according to what Lord Henry professes without hesitation, and what Lord Henry inspires Dorian, through persuasive rhetoric, is an attitude indifferent to consequence and altogether amoral.
Dorian pursues Sibyl from first sights, intent on acquiring her before he ever attempts to truly know her. For Dorian, whose uncontrolled aestheticism rejects the concept of morality, the immorality of his actions goes unrecognized.
In his pursuit of his own pleasures, a distinctly narcissistic attitude emerges, and the incompatibility of morality and unconditional aestheticism becomes all the more apparent. This self-absorption, then, appears to be an inevitable consequence of aestheticism.Oscar Wilde’s only novel, The Picture of Dorian Gray, was written during the years that Wilde was writing fairy tales and short stories such as “Lord Arthur Savile’s Crime” (), which the novel resembles in milieu.
Aside from the fairy tales and “The Canterbury Ghost” (), the novel is his only prose fantasy. ?“How far and in what ways do you agree with the view of Dorian Gray, the novel is heavy with moral and spiritual corruption” In this essay I am going to be disguising how the novel “The picture of Dorian Gray” is engulfed with moral and spiritual corruption.
For someone to be morally corrupted it [ ]. Seeing as this is an English course, the second aim will be to develop skills necessary for students to be effective readers and writers. The cultivation of these abilities will not only aid students in their exploration of violence in literature, but in any other analytical work they may need to do in the future.
In Oscar Wilde’s classic novel, The Picture of Dorian Gray, imagery affects the story as a whole. One image that can be traced throughout the entire novel, is the actual portrait of Dorian Gray. Argumentative Essay University Essay Descriptive Essay Graduate Essay Master's Essay Sample Papers Example Papers.
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Essay on Disregarding Women in The Picture of Dorian Gray - In the Victorian Era of mid nineteen to early twentieth century, a woman’s role in society remained to be in the household, away from the business and cares of men.