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Stephen Strange's life was turned upside down when a car crash caused irreparable nerve damage to his hands, preventing him from ever holding a scalpel again.
Driven by arrogance and desperation, he traveled the world in search of a cure, finally arriving in Tibet to seek the help of the Ancient One, a powerful wizard and unbeknownst to him the Sorcerer Supreme, the mage charged with protecting the Earth from the otherdimensional Cosmic menaces who would threaten it.
The Ancient One, finding him too proud, turned Strange down but allowed him to stay the night, letting Strange discover and foil the plot of his Deceptive Disciple Baron Mordo, so that he would learn humility and see the existence of true evil — and the need to combat it. Sensing his great magical potential, the Ancient One asked Strange to become his new apprentice, and the now humbled Strange accepted.
After years of study he moved back to New York and engaged in many mystical adventures and fought many wicked foes, including the vengeful Mordo, the Dread Dormammu and the abominable Shuma-Gorath, who caused the death of the Ancient One, leading to Strange inheriting his title and responsibilities.
As the new Sorcerer Supreme, Strange became the best and last line of defence between Earth and total destruction at the hands of its most powerful enemies.
Like any Sorcerer Supreme, he has a pact with Death itself that means he will not die of natural causes, though he has a higher-than-normal chance of dying in combat with some otherworldly Eldritch Abomination.
In some depictions he was prone to alcohol abuse as a surgeon, either during or just after the car accident that ruined his hands.
It's revealed in Jason Aaron's run that his usual meals are made up of horribly disgusting indescribable stuff that barely qualifies as food. Unlike most examples, he utterly hates it, but his body has warped so much from a combination of his spell casting and all the dimensions he's been through that it's all he can eat.
The Cloak Of Levitation which lets him Also the Wand of Watoomb, the Book of the Vishanti, the Darkhold, the Purple Gem, and anything with "-of Agamotto" at the end of it, as well as many other mystical objects.
He is not called the "Sorcerer Supreme" for nothing. A power he uses most regularly, usually when he wants to travel to other dimensions but can't readily bring his body along. Stark says they're "Awesome Facial Hair Bros". Not only is he a former world-class surgeon turned master of the mystic arts, he's a highly skilled martial artist to boot and is fully capable of laying the smackdown without relying on his magical powers.
But the first oath I swore was the Hippocratic. When he's not wearing the Cloak of Levitation, most often during his stint as an Occult Detective. Bigger on the Inside: His Sanctum Sanctorum looks like a sometimes derelict building on the outside but its inner dimensions are non-euclidean.
He suggests you don't stare at some of the stranger angles unless you want your eyes to melt out of your skull. When it comes to mystical issues, expect other heroes to come knocking at his door. Brought Down to Badass:The theme of appearance versus reality is apparent in Macbeth.
It’s filled with numerous, notable, and significant scenes, including when King Duncan visits the Macbeth’s home, Lady Macbeth’s sleepwalking scene, and Macbeth’s dagger soliloquy. In addition, Act IV of Macbeth abundantly used examples of deceiving appearances.
In the first scene of the fourth act, the three witches conjured apparitions for Macbeth. The second apparition, a bloody child, told Macbeth, “ for none of woman born / Shall harm Macbeth” (IV, i, ). Get an answer for 'What points can I make about the theme of deception in "Macbeth"?' and find homework help for other Macbeth questions at eNotes.
This page argues the case against bullfighting in a new and distinctive way. Perhaps Rousseau was onto something, and no human being is really happy being pfmlures.com at least some people are unfit for a life of villainy. Rather than being a construct of pure evil, a villain can be a surprisingly normal person despite the tragic flaws and obsessions driving him to hatred and madness.
Sigmund Freud. I. It is only rarely that a psycho-analyst feels impelled to investigate the subject of aesthetics, even when aesthetics is understood to mean not merely the theory of beauty but the theory of the qualities of feeling.